Mon stylo
My pen
is a stranger to me,
estranged from me.
L’etranger.
My pen
has sat for weeks,
idle, spent, silent.
Oublié.
My pen
turns in my fingers,
once a part of me.
Perdu.
My pen
welcome back, great
to see you again.
Ça va mon ami?
My pen
is a stranger to me,
estranged from me.
L’etranger.
My pen
has sat for weeks,
idle, spent, silent.
Oublié.
My pen
turns in my fingers,
once a part of me.
Perdu.
My pen
welcome back, great
to see you again.
Ça va mon ami?
Hanging in the air
in spectral suspension,
in anticipation.
Then, animation:
a slow sweep,
a bob, a curtsey,
a pirouette.
Framed in light,
a dancer’s spotlight.
I get up from my chair
and in the slant of sunlight
through the Venetian blind
a million others go dancing.
Dust.
Hand in hand: like pen and paper. Oil and gasoline. Plant and Page. Ying and Yang.
69. Yes, like 69.
Hand in hand: like Bukowski and a drink. Hemingway and a fight. King and the silver spine shiver that makes you turn and check the darkened window for a face you don’t want to see there; especially on the 14th floor. Definitely not the 14th floor.
There’s more.
I could carry on.
Hand in hand: like governments and dishonesty. Money and corruption. Lies and more lies. Lies breed lies. They lay us down and suck us up. We believe.
To the noose, to the chair, to Medusa’s lair we go, hand in hand.
I woke up and Donald Trump was in his chair and Kim Jong-un was in his and it got out of hand. I don’t trust either of the bastards with their hand over the button…
In my bed, I slept
as half a world wept
at its sins and punishments.
In the dark bombs fell
a dictator laughed
and split the night, open.
Half a world sat motionless
arms raised in surrender;
to no avail.
In the dark machine guns rattled
an army laughed
and tore the night, open.
In the shower I stood, thankful
as water washed over me like tears
and half a world looked for water.
In the dark a mushroom cloud
a despot laughed
and lit the night, forever.
3am,
the devil’s hour.
The wind shrieks through the trees
and on a balcony
(mine?)
sends a flower pot flying.
Horizontal rain
sprays the blinds
in a machine-gun scatter.
With heavy head
and heavy lids
I sit
and wonder why.
Once in a while I look back over my previous writing just to try and gauge whether, over time, it’s improving. I think it is. I also look for patterns. Patterns reveal the state during a certain period. My writing of late, especially the poetry, has taken a darkened path.
10 years ago I started having massive sleep disruption. This quickly grew into chronic insomnia, which I chose to ignore at my peril for a few years. 6 years ago I went under the ‘care’ of the local hospital, following visits to psychiatric specialists who tried to fathom out what the problem was. I was depressed, apparently. No shit, Sherlock. A few years of sleeping no more than 4 hours a night was conducive to wiping the smile off my face. They put boxes of pharmaceuticals in my hand and sent me away.
During this time I started writing. I was trying to read a book, unfortunately I can’t remember the title, which was so bad I gave up after 20-odd pages, which is something I never do. One dark morning I decided I would try and write something, surely it couldn’t be as bad as that crap I’d just given to the charity shop?
Writing became a regular in my life and it helped me where no amount of Benzodiazepine or Escitalopram could. In fact, I stopped taking anything after two years, against the hospital’s wishes. Fine, the pharmaceuticals help you sleep, but they leave you feeling hollow, devoid of emotion. I decided I’d rather not sleep. So here I am, not sleeping.
For anyone who doesn’t know, insomnia is a bastard. Mentally, it’s a dark and lonely place that leads ever downwards, where you will eventually come to your own private Niflhel. It cleaves you open and wrenches your tortured soul from your body while leaving you running on empty.
You stop telling people. You have to, because all you hear is “Yeah, I had a terrible night as well.” What? You can’t explain and they can’t understand so your interactions become sullen standoffs. You spend the day with a head full of cotton-wool; thinking becomes laborious and even the most banal of tasks requires consideration and reconsideration. Clear thinking is a reality enjoyed by other people.
Physically it leaves you hollow, like a wind-blown wheat husk dried in the summer sun, light and directionless yet always hoping for a respite, a resting place from its torments.
On the other hand, creatively it has been a wonderful input and output, where my notebook, 2H pencil and I join hands in the early hours and together we chase away the demons that frequently slip the pillow out from under my head. Those deep still hours of the morning welcome me, absorb me in their serenity and give me time and space to write. Ideas form and become words because of this. The majority of what you will find here was written while the world outside slept.
I hope reading this blog gives you at least a little of the pleasure it has given me.
3am, Sunday morning.
Dragged from dreams,
where feet walk on frosted blades
as a million stars fall from the sky,
which shivers
over silent faces hidden from me.
I reach out, they turn away
I call out, and they fade
The day,
still hours distant
is crawling round to meet me
I stand in the moon’s shadow
as the snow peaks stand hard and white
against black sky brushed with sweeping cloud,
the air cold on my skin
and I awaken under its kiss.
Nocturnal sighs in the blackened boughs
and, once again,
I have been tossed out into the night.
The sun draws blinds on another winter’s day;
whose light grows longer,
whose warmth grows stronger.
The sun’s rays of orange, pink and violet
grip the deepening sky,
like cat claws on curtains.
The sun slips below the horizon
like a drowned man
to leave me cloaked in black.
3000 miles of ocean
as dry as a desert highway
Distinct words from remote voices
I hear you speak
as distances vanish in the setting sun,
my setting sun
as I become the nightfall.
Eyes flicker in the madness of dreams
Then open; awoken
but the images remain
The bark of the beggar
as the sidewinder stamps its tail in the sand
of the desert highway,
where 3000 miles of ocean lay.
Grande amico, grande scrittore.
@dan_ceres
The hand reaches for the button
that flashes the green numbers
counting down the hours
of a night that is endless; and awake,
as I long to fall into sleep,
be it restless and haunted,
sleep it remains.
I envy it.
I’m not a cat;
I can’t see in the dark
yet it’s always dark
when I awake
and draw the line
under another night’s sleep.
Thank you to everyone who stopped by, read or commented. Much appreciated.
Onwards and upwards for 2016.
Have a great New Year one and all.
Chris
Here’s an excerpt:
A New York City subway train holds 1,200 people. This blog was viewed about 4,500 times in 2015. If it were a NYC subway train, it would take about 4 trips to carry that many people.
Love is a stroll in a sunlit garden, under a perfect blue sky
Love is the lurching axeman, blood dripping and stumbling through corridors hard and white
Love is the warm sun and a light summer rain
Love is the vise-grip of ice, the cold that rips the breath from your lungs and tears from your eyes
Love is the warm bed, as sunlight drifts through the gaps in the blinds
Love is the sword on which we commit the ritual of Seppuku: and give all.
The hand moved across the table, casting a shadow under the glare of the uncovered light bulb, now dull with dust. There was still strength in the hand, and a life of hard work and physical activity showed in the knots of vein and muscle as it moved.
A muscular forefinger which had shot and killed men in war, under orders and without hesitation, now lifted, paused then started to tap, without rhythm, on the plastic table. The window rattled as the wind picked up snow and threw it against the glass, a draught blowing past the single pane. The finger stopped while a deep, chesty cough ripped the silence and echoed in the room devoid of furniture except the table and two chairs. A car horn beeped twice outside
“It’s time,” said the voice, finding breath once again.
“Yes love, it’s time to go.”
“They’ll look after us Eve.”
The hand reached out across the table and grasped one no less young but smaller and softer and cold to the touch. A sob broke the brief silence.
“54 years in this house George. We raised children who’ve raised their children and all the while we’ve stayed here. It breaks my heart to leave it yet…”
Another gust of frigid air escaped from the rattling window pane.
“At least we’ll be warm my love, and we’ll have company our own age.”
The smaller hand gave another squeeze.
“You’re right George, I guess we have to go.”
The hand, cold and white at the fingertips, helped Eve to her feet and into her coat. It reached for the light switch, and hesitated, as it touched away a solitary tear from a wrinkled cheek. Wind tore past the loose window pane.
“At least we’ll be warm, Eve.”
So you keep writing. At least, you try.
You lie awake in the darkness waiting for the morning sounds; the crows in the fir tree, the far-too-early church bells, the Harley Davidson that surely must have an illegal exhaust system stuck on it. And so you lie awake and you write, except it’s all in your head. You know you should get it down on paper lest you forget (and you will) but you don’t want to disturb the part of the bed whose soft breathing confirms she has finally found sleep, so you continue writing in your head.
Enough! You ignore the hour, you defy the fact the crows are not yet even moving, let alone crowing in the treetops. You’ve anticipated the church bells and the (no doubt fat, short-legged) Harley Davidson owner is probably still tucked up in bed, riding noisy dreams.
The pen and paper await you like dogs waiting for their morning walk. You ignore the need for coffee as you rush to put on paper that which was rushing through your mind, lest you forget.
Sat at the table on the balcony breathing in the cool morning air with pen-scrawl for company. A pink-blue sky crawls out from under a dark cloak. A small bank of cloud above Mount Tamaro resembles the first huffs and puffs of a volcano, cars hiss along the distant road and birds chatter their morning stories.
The words on paper reveal themselves to you in the cool, blue light of day and have taken on an aspect and meaning different to that which came to mind, lying there in the darkness. The words that ran like liquid silver now seem lead-filled, dull and heavy.
So you keep writing. At least, you try.
Every now and again my long-term sleep problems find their way onto the written page; it’s how I feel when I pick up the pencil. I can’t tell of flowers when I see monsters.
***
The night;
star-less, aimless.
Fitful twists and turns and sweat on the pillow
tempted by sleep, made
hidden in foil
just within reach,
enticing, seducing.
The night;
I give in,
because I’m damned if I do
and I’m damned if I don’t.
Irrationality becomes normality
as sleep descends:
a benzodiazepine dream
Daydream
The day is for dreaming
What you could be
or want to be
What you could have been
or will be
The night
I avoided its darkest depths
lest from my pharmaceutical dreams
I returned; empty.
Trapped
in their batwing-leather embrace
to wander alone.
The night,
the chemical night.
The summer sun sighs through the strains of a morning
So humid
I open a window;
to sounds that fill my space
The unwinding of the blinds on another day
A car coughs
and a motorcycle
screams down the motorway
Birds wittering and nattering in an air
thick with heat
a fly whines, a bee hums
as a cat pads through grass
No breeze murmurs in this sultry morning,
just scratching
as my pen rolls across the page
like a bead of sweat between the shoulder blades
The train leaves Milan Central station and heaves over the tracks in the rain which streaks the dirty windows; its carriages are packed with steaming rush-hour tiredness and anger.
The young man sits in the corner up against the window, as the rain beats time, with Hemingway’s words falling off the pages as he tries to concentrate but can’t. For Whom the Bell Tolls? The bell was tolling for people who want peace and quiet on a train carriage to allow them to read, he thinks.
A fat man who’d possibly eaten only garlic for lunch sits opposite, hand wrapped around his phone in some strange death-grip as he seethes and steams, letting the person on the other end know as well as the other three occupied seats around him that, Cazzo! the fucking contract has to be there by Friday or it’s not just his balls on the line, understand?. He doesn’t say which line, which is OK; the less he talks the better, the young man thinks, his own anger rising.
Through the red mist that descends before his eyes the young man looks up and sees her, in the opposite seat across the aisle. Her silky, shoulder-length hair is dark, and her hazel eyes strike out from her face which seems to have had the benefit of a tan recently. In her jeans and blue sweater with white stripes (a little French he thinks: oui mademoiselle, oui), she becomes his calm in a storm-tossed sea. He watches from a distance, as her forehead wrinkles and she glares at the woman opposite her.
This woman opposite has her tablet on her lap and has wires and a mike stuck to her head as she babbles continuously, her voice rising, informing everyone that didn’t want to know that Cazzo! how the hell is she supposed to fit in another meeting on Thursday, she isn’t a fucking machine you know. Sat there looking like Robo-Queen that could be debated, the girl thinks, as she lowers her head and raises her book in an attempt to block out the irritation. As she does so the young man opposite gasps. A Farewell to Arms – Hemingway; she’s reading Hemingway!
Mr Garlic is making another call but its wafting anger slips into the background as the young man looks only at the young woman across the aisle, his book held up to his chest, now half-forgotten. The train starts to slow.
Robo-Queen finishes her call and transforms into e-bitch as she proceeds to beat the hell out of her tablet, with two fingers having some maniacal life of their own as she sends an email, probably shouting Cazzo, cazzo, cazzo!
The fat garlic man wheezes his bulk into an overcoat big enough to protect a small car from winter frost and grabs his briefcase, stuffed full, as its leather creaks for mercy, and he makes his way to the door.
The young woman looks up. She sees the young man looking at her and her eyes drop to his chest. She sees. Fine lines around her eyes appear and she gives him a smile. He returns it just as e-bitch starts to make another phone call. He waves her over to the now-vacated seat opposite him and they whisper words of Ernest, in earnest, as the train takes them home.